As the first comprehensive survey of Richard Tuttle's prints, this exhibition reveals the artist's profound interest in the ambiguous and transitional nature of this art form. Since the 1960s, Richard Tuttle has created poetic, often ephemeral, works which – resolutely material and arranged with seemingly minimal interventions – address at closer inspection profound issues of material and illusion, of what we see and what we understand. Prints with their unusual ability to render visible also hidden information of process and change offer for Tuttle's artistic research a vital field of experimentation and cognition. Since the 1970s, he has created a diverse printed oeuvre collaborating with renowned printers and publishers across the country. Tuttle's prints with often subtle and complex surfaces, lure us into careful and attentive looking and contemplation on the relationship between the material and the illusional.
This exhibition is the second in our New York Project, a series of exhibitions exploring key New York artists of the past 50 years. This exhibition, curated by Christina von Rotenhan, is organized by the Oklahoma State University Museum of Art. Bowdoin College Museum of Art is the original, founding institution of the exhibition.
Feb. 8 | Please join us for an opening reception from 5 to 7 pm. An engaging conversation between the artist, Richard Tuttle, and the curator, Christina von Rotenhan, will begin at 6 pm.
Guest Lecture: Joachim Homann
March 3 | Curator Joachim Homann, who worked with Richard Tuttle at Bowdoin College, reflects on what Tuttle does and doesn’t show and how he makes his art come alive in the galleries. 6 pm.